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DTSTART;TZID=America/New_York:20260715T090000
DTEND;TZID=America/New_York:20260715T120000
DTSTAMP:20260404T093407
CREATED:20250606T181819Z
LAST-MODIFIED:20260330T200326Z
UID:10000148-1784106000-1784116800@www.dfac.org
SUMMARY:PT470 The Realistic Portrait in Oils & Pastels With Markissia Touliatos
DESCRIPTION:Wednesdays\, 6 Week ClassBeginner\, Intermediate \n\n\n\n\n\nIn this class\, you will learn the fundamental principles of portrait painting from life using direct painting methods. We will concentrate on proper proportion\, values\, skin tones\, and getting a likeness. The instructor will give step-by-step demonstrations and lots of individual instruction from how to begin the initial drawing through mixing beautiful skin tones and atmospheric backgrounds. We will have two models for three weeks each. \n\n\n\nAges 17 and up. \n\n\n\nClick Here for Supply List\nMATERIALS LIST FOR OILColors: Burnt Umber\, Burnt Sienna\, Raw Umber\, Brown Madder\, Raw Sienna\, Yellow Ochre\, Cad. Red Deep\, Indian Yellow\, Cad. Yellow\, Cad. Orange\, Cad. Yellow Pale\, Naples Yellow Light\, Cad. Red Light\, Light Red or Terra Rosa\, Cad. Scarlet\, Permanent Rose\, Cad. Green\, Cad. Yellow light\, Viridian\, Utramarine Blue\, Dioxazine Purple\, Cerulean Blue\, Manganese Blue\, Black\, Titanium White. (Gamblin\, Winsor Newton\, or Old Holland brands)Mediums: Gamblin Neo Megilp\, Turpenoid\, Odorless Mineral Spirits\, (artist grade for cleaning brushes)Brushes: Filberts\, # 2\, 4\, 6\, Flats\, # 4\, 6\, 8\, Fan Brushes # 4\, 6\, Sable- cat tongue #6\, #8.Canvas: Portrait Class: 12×16 or 16×20. Still-life Class: 8×10\, 11×14\, or 12×16.To tone the canvas you may use Golden Acrylic N5 Neutral Grey. Apply a thin wash on acrylic primed canvas only.For the Pastel Students: Canson Mi-Teintes pastel paper in Steel grey\, Felt grey\, Sand or Moonstone. (Optional) Wallis grey tone sanded pastel paper in 12 x18 inch pads.Any soft pastels you already have. Portrait sets\, some good ones that are affordable are: Faber Castell soft pastel sets\, Prismacolor Nupastel semi-soft portrait assortment\, Prismacolor soft pastel portrait assortment (optional)\, Rembrandt soft pastel portrait sets (optional).Pastel pencils for details especially brown tones for sketching\, Blending stumps\, Kneaded eraser\, Ruler\, Utility knife for sharpening pencils\, Small hand mirror for checking your work\, Small chamois for blending or erasing\, Drawing board\, Masking tape\, An 8 x 10 reference photo of your choice preferably not taken with a flash. Paper towels. \n\n\n\n \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt470-the-realistic-portrait-in-oils-pastels-with-markissia-touliatos/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/jpeg:https://www.dfac.org/wp-content/uploads/2025/06/PT470-The-Realistic-Portrait-in-Oils-Pastels.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260715T130000
DTEND;TZID=America/New_York:20260715T160000
DTSTAMP:20260404T093407
CREATED:20250606T182657Z
LAST-MODIFIED:20260330T200235Z
UID:10000151-1784120400-1784131200@www.dfac.org
SUMMARY:PT479 Painting the Portrait or Still Life With Markissia Touliatos
DESCRIPTION:Wednesdays\, 6 Week ClassIntermediate\, Advanced \n\n\n\n\n\nIn this intermediate class you will explore several different approaches to perfecting your painting skills in portraiture and still life using pastel\, charcoal or oils. You’ll learn how to create beautifully accurate portraits from photographs. Students may also opt to paint from a still-life of various objects and learn how to paint flowers and shiny surfaces like brass and silver. We will focus on color mixing\, tonal values\, edges\, and accurate drawing.  \n\n\n\nAges 17 and up. \n\n\n\nClick Here for Supply List\nMATERIALS LIST FOR OIL \n\n\n\nColors: Burnt Umber\, Burnt Sienna\, Raw Umber\, Brown Madder\, Raw Sienna\, Yellow Ochre\, Cad. Red Deep\, Indian Yellow\, Cad. Yellow\, Cad. Orange\, Cad. Yellow Pale\, Naples Yellow Light\, Cad. Red Light\, Light Red or Terra Rosa\, Cad. Scarlet\, Permanent Rose\, Cad. Green\, Cad. Yellow light\, Viridian\, Utramarine Blue\, Dioxazine Purple\, Cerulean Blue\, Manganese Blue\, Black\, Titanium White. (Gamblin\, Winsor Newton\, or Old Holland brands) \n\n\n\nMediums: Gamblin Neo Megilp\, Turpenoid\, Odorless Mineral Spirits\, (artist grade for cleaning brushes) \n\n\n\nBrushes: Filberts\, # 2\, 4\, 6\, Flats\, # 4\, 6\, 8\, Fan Brushes # 4\, 6\, Sable- cat tongue #6\, #8. \n\n\n\nCanvas: Portrait Class: 12×16 or 16×20. Still-life Class: 8×10\, 11×14\, or 12×16. \n\n\n\nTo tone the canvas you may use Golden Acrylic N5 Neutral Grey. Apply a thin wash on acrylic primed canvas only. \n\n\n\nFor the Pastel Students: Canson Mi-Teintes pastel paper in Steel grey\, Felt grey\, Sand or Moonstone. (Optional) Wallis grey tone sanded pastel paper in 12 x18 inch pads.Any soft pastels you already have. Portrait sets\, some good ones that are affordable are: Faber Castell soft pastel sets\, Prismacolor Nupastel semi-soft portrait assortment\, Prismacolor soft pastel portrait assortment (optional)\, Rembrandt soft pastel portrait sets (optional).Pastel pencils for details especially brown tones for sketching\, Blending stumps\, Kneaded eraser\, Ruler\, Utility knife for sharpening pencils\, Small hand mirror for checking your work\, Small chamois for blending or erasing\, Drawing board\, Masking tape\, An 8 x 10 reference photo of your choice preferably not taken with a flash. Paper towels. \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt479-painting-the-portrait-or-still-life-with-markissia-touliatos/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/jpeg:https://www.dfac.org/wp-content/uploads/2025/06/PT479-Painting-the-Portrait-or-Still-Life.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260716T130000
DTEND;TZID=America/New_York:20260716T160000
DTSTAMP:20260404T093407
CREATED:20250606T184125Z
LAST-MODIFIED:20260330T200016Z
UID:10000154-1784206800-1784217600@www.dfac.org
SUMMARY:PT484 Color\, Light\, and Form with Anders Fernbach
DESCRIPTION:Thursdays\, 6 Week CourseAll levels welcome! \n\n\n\n\n\nIn this course\, students will learn the language of color in an easy to understand\, objective format. This will greatly aid in their ability to describe and mix any color\, and to maintain control of their palette. In short\, we’ll be discussing practical color theory for painters that can be used in everyday painting scenarios. We will also cover “light logic”\, or the effect that light has in revealing form of any kind. Subject matter is open to the individual student\, as portraiture\, still life\, and landscape all use the principles covered in this course. For practical purposes\, students will work from hard copy photographs or screen images from a laptop or iPad during class hours. \n\n\n\nClick Here for Supply List\nThis list is the minimum; more colors can be collected over time. Most brandshave “artist quality” paints\, and “student grade” versions. Get the artist quality ifyou’re able\, but student grade will suffice in the short term. Student grade paints have more fillers\, where artist grade is mostly pigment and linseed oil.  \n\n\n\nExamples:Gamblin artist paints 1980 is their student grade lineWindsor & Newton artist paints Winton is their student grade line \n\n\n\nOil PaintsTitanium white 150mlFlake white (optional)Ivory black 37mlUltramarine blue 37 mlPthalo blue 37mlTransparent Red Iron Oxide\, or Transparent Earth Red (PR101)Cadmium red light 37mlPermanent or Alizarin crimson 37mlCadmium yellow light 37mlCadmium yellow medium 37mlYellow ochre 37 mlRaw umber 37mlCadmium Orange (single pigment preferred) 37 mlSap green 37mlTere Vert 37 ml (optional) \n\n\n\nMediumSmall container of linseed oilContainer of odorless mineral spirits (Gamsol 16.9 oz or larger) and air-tight jar  \n\n\n\nRecommended optional-Alkyd medium like Galkyd or Liquin for faster drying time and more transparency \n\n\n\nBrushesYou will need a variety of sizes to begin with. I recommend coming to class with 3 sizes of round brushes. We can discuss brushes more during class\, and you can decide for yourself what you prefer. Like paint tubes\, it takes time to build a collection of brushes\, and there is no need to try to get them all at one time. \n\n\n\nSurfaces18×24 inch illustration board if you wish to complete a color wheel and chartscanvas or gessoed panel (your choice of size\, but larger is often less difficult) Irecommend 16×20 to begin withYou will need more surfaces as the weeks progress\, but this will suffice to start. Depending upon your images\, you may opt for a different size or proportions.  \n\n\n\nOtherPalette knife (diamond shape head preferred)Sketchbook\, or notepad for note taking\, and storing hand-outs18” metal rulerJack Richeson grey paper palette pad 12×16A stiff surface like foam board to tape palette paper to during useGesso (acrylic polymer ground) if you wish to prepare surfaces like wood\, paper\,or to add stability to commercially pre-gessoed canvasPaper towels\, or blue shop ragsCotton cloth rags. Old T-shirts work very well \n\n\n\n \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt484-color-light-and-form-with-anders-fernbach/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/jpeg:https://www.dfac.org/wp-content/uploads/2025/06/PT484-Color-Light-and-Form.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260717T130000
DTEND;TZID=America/New_York:20260717T160000
DTSTAMP:20260404T093407
CREATED:20260331T153536Z
LAST-MODIFIED:20260331T153538Z
UID:10000672-1784293200-1784304000@www.dfac.org
SUMMARY:PT489 Painting the Clothed Figure with Markissia Touliatos
DESCRIPTION:Fridays\, 6 Week ClassAll levels welcome! \n\n\n\n\n\nIn this six week course\, students will learn the technique of painting a clothed human figure from a Photographic reference. Using a grid\, you will draw the image on a canvas while mapping out the shadow and light patterns. Emphasis will be placed on proportion\, gesture\, fabric\, folds\, and how clothing describes the form beneath. Also\, we will focus on color mixing and creating realistic skin tones. You will learn how to transfer an image to a large canvas of any size by using a simple accurate grid. The instructor will provide the photographs already gridded and conduct step-by-step demonstrations along with lots of individual instruction on how to proceed. This class is suitable for all skill levels. \n\n\n\nClick Here for Supply List\nOil paint basic set\, Gamsol mineral spirits\, Grey Matters Disposable pallet\, paper towels\, 18 inch ruler or tape measure. Pastel or charcoal pencil\, hog bristle brushes\, #4 #6 #8 and various sizes of synthetic brushes. Canvas 16 x 20\, 18 x 24 or 24 x 36. \n\n\n\n \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt489-painting-the-clothed-figure-with-markissia-touliatos-2/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/jpeg:https://www.dfac.org/wp-content/uploads/2015/03/Markissia_Touliatos-Portrait_of_Ana-scaled-e1774966944564.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260907T180000
DTEND;TZID=America/New_York:20260907T210000
DTSTAMP:20260404T093407
CREATED:20250815T125532Z
LAST-MODIFIED:20260402T131149Z
UID:10000280-1788804000-1788814800@www.dfac.org
SUMMARY:PT485 Portrait Painting: Lessons from the Masters Simplified with Anders Fernbach
DESCRIPTION:Mondays\, 6 Week ClassAll levels welcome! \n\n\n\n\n\nThis course is designed to help students of all levels develop strategies to strengthen the gesture\, proportion\, perspective\, and color in their portrait paintings by the time-honored tradition of making master copies. Students will be working from high quality 2D reproductions in this course as a matter of convenience\, but all principles can be applied to painting from a live model. We will explore different choices of palettes and techniques dependent upon the student’s experience level\, and their artists of choice. There will be broad information shared with the entire class that will apply to all\, and from there the instruction will be tailored to the individual students’ needs. This course is for all levels of experience\, you don’t have to be a master yourself to learn from the masters! \n\n\n\nClick Here for Supply List\nThis list of paints is meant to be a solid base for traditional\, representational portraiture\, and will cover most of your needs. Although many past masters have used vermillion\, I have not included that pigment because it is so cost prohibitive. Also\, depending upon your choice of artist\, you may require an additional pigment or two. If you are able to buy “artist quality” paints instead of “student grade” paints\, I recommend doing so. \n\n\n\nOil PaintsTitanium white 150mlFlake white 150ml or 37mlTrasnparent red iron oxide\, or Transparent earth red (PR101)Cadmium red light 37mlPermanent or Alizarin crimson 37mlCadmium orange 37mlYellow Ochre 37mlRaw umber 37mlTere Vert 37ml (optional)Ultramarine blue 37mlIvory black 37ml \n\n\n\nMediumSmall container of linseed oilSmall container of odorless mineral spirits (Gamsol) in an airtight jarAlkyd medium. Liquin and Galkyd are both excellent\, you’ll only need one \n\n\n\nBrushesYou will need a variety of sizes to begin with. I recommend having 3 sizes of round brushes at the minimum. We can discuss brushed more during class\, and you can decide for yourself what you prefer\, but make sure you have some larger sizes to complement the small ones. \n\n\n\nSurfacesGessoed canvas or wood panel (your choice of size\, but larger is often less difficult for working out drawing problems)One or two canvas boards around 8×10 for studiesYou may need more surfaces as the weeks progress\, but this will suffice to start. The images you choose should be taken into consideration when deciding on the size and proportions of your surface. EX: If you choose an image that has a square composition\, it would be wise to use a square surface to paint on. \n\n\n\nOtherPalette knife (I prefer a diamond head shape) Liquitex is an excellent brand and valueMetal ruler 18”Jack Richeson grey paper palette pad 12×16It’s advisable to have a stiff surface like foam board or wood to support the paper during use.Paper towels\, or blue shop ragsCotton cloth rags. Old T-shirts work very wellOptional: Gesso (acrylic polymer ground) if you wish to prepare surfaces like wood\, paper\, canvas\, metal\, or just to add stability to commercially pre-gessoed canvas \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt485-portrait-painting-lessons-from-the-masters-simplified-with-anders-fernbach-2/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/png:https://www.dfac.org/wp-content/uploads/2025/08/Anders-Fernbach-PT485.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260909T090000
DTEND;TZID=America/New_York:20260909T120000
DTSTAMP:20260404T093407
CREATED:20250606T181954Z
LAST-MODIFIED:20260330T200321Z
UID:10000149-1788944400-1788955200@www.dfac.org
SUMMARY:PT470 The Realistic Portrait in Oils & Pastels With Markissia Touliatos
DESCRIPTION:Wednesdays\, 6 Week ClassBeginner\, Intermediate \n\n\n\n\n\nIn this class\, you will learn the fundamental principles of portrait painting from life using direct painting methods. We will concentrate on proper proportion\, values\, skin tones\, and getting a likeness. The instructor will give step-by-step demonstrations and lots of individual instruction from how to begin the initial drawing through mixing beautiful skin tones and atmospheric backgrounds. We will have two models for three weeks each. \n\n\n\nAges 17 and up. \n\n\n\nClick Here for Supply List\nMATERIALS LIST FOR OIL \n\n\n\nColors: Burnt Umber\, Burnt Sienna\, Raw Umber\, Brown Madder\, Raw Sienna\, Yellow Ochre\, Cad. Red Deep\, Indian Yellow\, Cad. Yellow\, Cad. Orange\, Cad. Yellow Pale\, Naples Yellow Light\, Cad. Red Light\, Light Red or Terra Rosa\, Cad. Scarlet\, Permanent Rose\, Cad. Green\, Cad. Yellow light\, Viridian\, Utramarine Blue\, Dioxazine Purple\, Cerulean Blue\, Manganese Blue\, Black\, Titanium White. (Gamblin\, Winsor Newton\, or Old Holland brands) \n\n\n\nMediums: Gamblin Neo Megilp\, Turpenoid\, Odorless Mineral Spirits\, (artist grade for cleaning brushes) \n\n\n\nBrushes: Filberts\, # 2\, 4\, 6\, Flats\, # 4\, 6\, 8\, Fan Brushes # 4\, 6\, Sable- cat tongue #6\, #8. \n\n\n\nCanvas: Portrait Class: 12×16 or 16×20. Still-life Class: 8×10\, 11×14\, or 12×16. \n\n\n\nTo tone the canvas you may use Golden Acrylic N5 Neutral Grey. Apply a thin wash on acrylic primed canvas only. \n\n\n\nFor the Pastel Students: Canson Mi-Teintes pastel paper in Steel grey\, Felt grey\, Sand or Moonstone. (Optional) Wallis grey tone sanded pastel paper in 12 x18 inch pads.Any soft pastels you already have. Portrait sets\, some good ones that are affordable are: Faber Castell soft pastel sets\, Prismacolor Nupastel semi-soft portrait assortment\, Prismacolor soft pastel portrait assortment (optional)\, Rembrandt soft pastel portrait sets (optional).Pastel pencils for details especially brown tones for sketching\, Blending stumps\, Kneaded eraser\, Ruler\, Utility knife for sharpening pencils\, Small hand mirror for checking your work\, Small chamois for blending or erasing\, Drawing board\, Masking tape\, An 8 x 10 reference photo of your choice preferably not taken with a flash. Paper towels. \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt470-the-realistic-portrait-in-oils-pastels-with-markissia-touliatos-2/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/jpeg:https://www.dfac.org/wp-content/uploads/2025/06/PT470-The-Realistic-Portrait-in-Oils-Pastels.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260909T130000
DTEND;TZID=America/New_York:20260909T160000
DTSTAMP:20260404T093407
CREATED:20250606T182825Z
LAST-MODIFIED:20260330T200218Z
UID:10000152-1788958800-1788969600@www.dfac.org
SUMMARY:PT479 Painting the Portrait or Still Life With Markissia Touliatos
DESCRIPTION:Wednesdays\, 6 Week ClassIntermediate\, Advanced \n\n\n\n\n\nIn this intermediate class you will explore several different approaches to perfecting your painting skills in portraiture and still life using pastel\, charcoal or oils. You’ll learn how to create beautifully accurate portraits from photographs. Students may also opt to paint from a still-life of various objects and learn how to paint flowers and shiny surfaces like brass and silver. We will focus on color mixing\, tonal values\, edges\, and accurate drawing.  \n\n\n\nAges 17 and up. \n\n\n\nClick Here for Supply List\nMATERIALS LIST FOR OIL \n\n\n\nColors: Burnt Umber\, Burnt Sienna\, Raw Umber\, Brown Madder\, Raw Sienna\, Yellow Ochre\, Cad. Red Deep\, Indian Yellow\, Cad. Yellow\, Cad. Orange\, Cad. Yellow Pale\, Naples Yellow Light\, Cad. Red Light\, Light Red or Terra Rosa\, Cad. Scarlet\, Permanent Rose\, Cad. Green\, Cad. Yellow light\, Viridian\, Utramarine Blue\, Dioxazine Purple\, Cerulean Blue\, Manganese Blue\, Black\, Titanium White. (Gamblin\, Winsor Newton\, or Old Holland brands) \n\n\n\nMediums: Gamblin Neo Megilp\, Turpenoid\, Odorless Mineral Spirits\, (artist grade for cleaning brushes) \n\n\n\nBrushes: Filberts\, # 2\, 4\, 6\, Flats\, # 4\, 6\, 8\, Fan Brushes # 4\, 6\, Sable- cat tongue #6\, #8. \n\n\n\nCanvas: Portrait Class: 12×16 or 16×20. Still-life Class: 8×10\, 11×14\, or 12×16. \n\n\n\nTo tone the canvas you may use Golden Acrylic N5 Neutral Grey. Apply a thin wash on acrylic primed canvas only. \n\n\n\nFor the Pastel Students: Canson Mi-Teintes pastel paper in Steel grey\, Felt grey\, Sand or Moonstone. (Optional) Wallis grey tone sanded pastel paper in 12 x18 inch pads.Any soft pastels you already have. Portrait sets\, some good ones that are affordable are: Faber Castell soft pastel sets\, Prismacolor Nupastel semi-soft portrait assortment\, Prismacolor soft pastel portrait assortment (optional)\, Rembrandt soft pastel portrait sets (optional).Pastel pencils for details especially brown tones for sketching\, Blending stumps\, Kneaded eraser\, Ruler\, Utility knife for sharpening pencils\, Small hand mirror for checking your work\, Small chamois for blending or erasing\, Drawing board\, Masking tape\, An 8 x 10 reference photo of your choice preferably not taken with a flash. Paper towels. \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt479-painting-the-portrait-or-still-life-with-markissia-touliatos-2/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/jpeg:https://www.dfac.org/wp-content/uploads/2025/06/PT479-Painting-the-Portrait-or-Still-Life.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260910T130000
DTEND;TZID=America/New_York:20260910T160000
DTSTAMP:20260404T093407
CREATED:20250606T184314Z
LAST-MODIFIED:20260330T195943Z
UID:10000155-1789045200-1789056000@www.dfac.org
SUMMARY:PT484 Color\, Light\, and Form with Anders Fernbach
DESCRIPTION:Thursdays\, 6 Week CourseAll levels welcome! \n\n\n\n\n\nIn this course\, students will learn the language of color in an easy to understand\, objective format. This will greatly aid in their ability to describe and mix any color\, and to maintain control of their palette. In short\, we’ll be discussing practical color theory for painters that can be used in everyday painting scenarios. We will also cover “light logic”\, or the effect that light has in revealing form of any kind. Subject matter is open to the individual student\, as portraiture\, still life\, and landscape all use the principles covered in this course. For practical purposes\, students will work from hard copy photographs or screen images from a laptop or iPad during class hours. \n\n\n\nClick Here for Supply List\nThis list is the minimum\, more colors can be collected over time. Most brandshave “artist quality” paints\, and “student grade” versions. Get the artist quality ifyou’re able\, but student grade will suffice in the short term. Student grade paints have more fillers\, where artist grade is mostly pigment and linseed oil. \n\n\n\nExamples:Gamblin artist paints 1980 is their student grade lineWindsor & Newton artist paints Winton is their student grade line \n\n\n\nOil PaintsTitanium white 150mlFlake white (optional)Ivory black 37mlUltramarine blue 37 mlPthalo blue 37mlTransparent Red Iron Oxide\, or Transparent Earth Red (PR101)Cadmium red light 37mlPermanent or Alizarin crimson 37mlCadmium yellow light 37mlCadmium yellow medium 37mlYellow ochre 37 mlRaw umber 37mlCadmium Orange (single pigment preferred) 37 mlSap green 37mlTere Vert 37 ml (optional)MediumSmall container of linseed oilContainer of odorless mineral spirits (Gamsol 16.9 oz or larger) and air-tight jarRecommended optional-Alkyd medium like Galkyd or Liquin for faster drying time and more transparency \n\n\n\nBrushesYou will need a variety of sizes to begin with. I recommend coming to class with 3 sizes of round brushes. We can discuss brushes more during class\, and you can decide for yourself what you prefer. Like paint tubes\, it takes time to build a collection of brushes\, and there is no need to try to get them all at one time. \n\n\n\nSurfaces18×24 inch illustration board if you wish to complete a color wheel and chartscanvas or gessoed panel (your choice of size\, but larger is often less difficult) Irecommend 16×20 to begin withYou will need more surfaces as the weeks progress\, but this will suffice to start.Depending upon your images\, you may opt for a different size or proportions. \n\n\n\nOtherPalette knife (diamond shape head preferred)Sketchbook\, or notepad for note taking\, and storing hand-outs18” metal rulerJack Richeson grey paper palette pad 12×16A stiff surface like foam board to tape palette paper to during useGesso (acrylic polymer ground) if you wish to prepare surfaces like wood\, paper\,or to add stability to commercially pre-gessoed canvasPaper towels\, or blue shop ragsCotton cloth rags. Old T-shirts work very well \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt484-color-light-and-form-with-anders-fernbach-2/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/jpeg:https://www.dfac.org/wp-content/uploads/2025/06/PT484-Color-Light-and-Form.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260911T130000
DTEND;TZID=America/New_York:20260911T160000
DTSTAMP:20260404T093407
CREATED:20260331T153904Z
LAST-MODIFIED:20260331T153914Z
UID:10000673-1789131600-1789142400@www.dfac.org
SUMMARY:PT489 Painting the Clothed Figure with Markissia Touliatos
DESCRIPTION:Fridays\, 6 Week ClassAll levels welcome! \n\n\n\n\n\nIn this six week course\, students will learn the technique of painting a clothed human figure from a Photographic reference. Using a grid\, you will draw the image on a canvas while mapping out the shadow and light patterns. Emphasis will be placed on proportion\, gesture\, fabric\, folds\, and how clothing describes the form beneath. Also\, we will focus on color mixing and creating realistic skin tones. You will learn how to transfer an image to a large canvas of any size by using a simple accurate grid. The instructor will provide the photographs already gridded and conduct step-by-step demonstrations along with lots of individual instruction on how to proceed. This class is suitable for all skill levels. \n\n\n\nClick Here for Supply List\nOil paint basic set\, Gamsol mineral spirits\, Grey Matters Disposable pallet\, paper towels\, 18 inch ruler or tape measure. Pastel or charcoal pencil\, hog bristle brushes\, #4 #6 #8 and various sizes of synthetic brushes. Canvas 16 x 20\, 18 x 24 or 24 x 36. \n\n\n\n \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt489-painting-the-clothed-figure-with-markissia-touliatos-3/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/jpeg:https://www.dfac.org/wp-content/uploads/2015/03/Markissia_Touliatos-Portrait_of_Ana-scaled-e1774966944564.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261026T180000
DTEND;TZID=America/New_York:20261026T210000
DTSTAMP:20260404T093407
CREATED:20250815T123051Z
LAST-MODIFIED:20260402T133413Z
UID:10000278-1793037600-1793048400@www.dfac.org
SUMMARY:PT485 Portrait Painting: Lessons from the Masters Simplified with Anders Fernbach
DESCRIPTION:All levels welcome!  \n\n\n\n\n\nThis course is designed to help students of all levels develop strategies to strengthen the gesture\, proportion\, perspective\, and color in their portrait paintings by the time-honored tradition of making master copies. Students will be working from high quality 2D reproductions in this course as a matter of convenience\, but all principles can be applied to painting from a live model. We will explore different choices of palettes and techniques dependent upon the student’s experience level\, and their artists of choice. There will be broad information shared with the entire class that will apply to all\, and from there the instruction will be tailored to the individual students’ needs. This course is for all levels of experience\, you don’t have to be a master yourself to learn from the masters! \n\n\n\nClick Here for Supply List\nThis list is the minimum\, more colors can be collected over time. Most brandshave “artist quality” paints\, and “student grade” versions. Get the artist quality ifyou’re able\, but student grade will suffice in the short term. Student grade paintshave more fillers\, where artist grade is mostly pigment and linseed oil. \n\n\n\nExamples:Gamblin artist paints 1980 is their student grade lineWindsor & Newton artist paints Winton is their student grade line \n\n\n\nOil PaintsTitanium white 150mlFlake white (optional)Ivory black 37mlUltramarine blue 37 mlPthalo blue 37mlTransparent Red Iron Oxide\, or Transparent Earth Red (PR101)Cadmium red light 37mlPermanent or Alizarin crimson 37mlCadmium yellow light 37mlCadmium yellow medium 37mlYellow ochre 37 mlRaw umber 37mlCadmium Orange (single pigment preferred) 37 mlSap green 37mlTere Vert 37 ml (optional) \n\n\n\nMediumSmall container of linseed oilContainer of odorless mineral spirits (Gamsol 16.9 oz or larger) and air-tight jar. Recommended optional-Alkyd medium like Galkyd or Liquin for faster drying time and more transparenc \n\n\n\nBrushesYou will need a variety of sizes to begin with. I recommend coming to class with 3 sizes of round brushes. We can discuss brushes more during class\, and you can decide for yourself what you prefer. Like paint tubes\, it takes time to build a collection of brushes\, and there is no need to try to get them all at one time. \n\n\n\nSurfaces18×24 inch illustration board if you wish to complete a color wheel and chartscanvas or gessoed panel (your choice of size\, but larger is often less difficult) Irecommend 16×20 to begin withYou will need more surfaces as the weeks progress\, but this will suffice to start. Depending upon your images\, you may opt for a different size or proportions. \n\n\n\nOtherPalette knife (diamond shape head preferred)Sketchbook\, or notepad for note taking\, and storing hand-outs18” metal rulerJack Richeson grey paper palette pad 12×16A stiff surface like foam board to tape palette paper to during useGesso (acrylic polymer ground) if you wish to prepare surfaces like wood\, paper\,or to add stability to commercially pre-gessoed canvasPaper towels\, or blue shop ragsCotton cloth rags. Old T-shirts work very well \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt485-portrait-painting-lessons-from-the-masters-simplified-with-anders-fernbach/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/png:https://www.dfac.org/wp-content/uploads/2025/08/Anders-Fernbach-PT485.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261028T090000
DTEND;TZID=America/New_York:20261028T120000
DTSTAMP:20260404T093407
CREATED:20250606T182108Z
LAST-MODIFIED:20260330T200249Z
UID:10000150-1793178000-1793188800@www.dfac.org
SUMMARY:PT470 The Realistic Portrait in Oils & Pastels With Markissia Touliatos
DESCRIPTION:Wednesdays\, 6 Week ClassBeginner\, Intermediate \n\n\n\n\n\nIn this class\, you will learn the fundamental principles of portrait painting from life using direct painting methods. We will concentrate on proper proportion\, values\, skin tones\, and getting a likeness. The instructor will give step-by-step demonstrations and lots of individual instruction from how to begin the initial drawing through mixing beautiful skin tones and atmospheric backgrounds. We will have two models for three weeks each. \n\n\n\nAges 17 and up. \n\n\n\nClick Here for Supply List\nMATERIALS LIST FOR OIL \n\n\n\nColors: Burnt Umber\, Burnt Sienna\, Raw Umber\, Brown Madder\, Raw Sienna\, Yellow Ochre\, Cad. Red Deep\, Indian Yellow\, Cad. Yellow\, Cad. Orange\, Cad. Yellow Pale\, Naples Yellow Light\, Cad. Red Light\, Light Red or Terra Rosa\, Cad. Scarlet\, Permanent Rose\, Cad. Green\, Cad. Yellow light\, Viridian\, Utramarine Blue\, Dioxazine Purple\, Cerulean Blue\, Manganese Blue\, Black\, Titanium White. (Gamblin\, Winsor Newton\, or Old Holland brands) \n\n\n\nMediums: Gamblin Neo Megilp\, Turpenoid\, Odorless Mineral Spirits\, (artist grade for cleaning brushes) \n\n\n\nBrushes: Filberts\, # 2\, 4\, 6\, Flats\, # 4\, 6\, 8\, Fan Brushes # 4\, 6\, Sable- cat tongue #6\, #8. \n\n\n\nCanvas: Portrait Class: 12×16 or 16×20. Still-life Class: 8×10\, 11×14\, or 12×16. \n\n\n\nTo tone the canvas you may use Golden Acrylic N5 Neutral Grey. Apply a thin wash on acrylic primed canvas only. \n\n\n\nFor the Pastel Students: Canson Mi-Teintes pastel paper in Steel grey\, Felt grey\, Sand or Moonstone. (Optional) Wallis grey tone sanded pastel paper in 12 x18 inch pads.Any soft pastels you already have. Portrait sets\, some good ones that are affordable are: Faber Castell soft pastel sets\, Prismacolor Nupastel semi-soft portrait assortment\, Prismacolor soft pastel portrait assortment (optional)\, Rembrandt soft pastel portrait sets (optional).Pastel pencils for details especially brown tones for sketching\, Blending stumps\, Kneaded eraser\, Ruler\, Utility knife for sharpening pencils\, Small hand mirror for checking your work\, Small chamois for blending or erasing\, Drawing board\, Masking tape\, An 8 x 10 reference photo of your choice preferably not taken with a flash. Paper towels. \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt470-the-realistic-portrait-in-oils-pastels-with-markissia-touliatos-3/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/jpeg:https://www.dfac.org/wp-content/uploads/2025/06/PT470-The-Realistic-Portrait-in-Oils-Pastels.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261028T130000
DTEND;TZID=America/New_York:20261028T160000
DTSTAMP:20260404T093407
CREATED:20250606T182941Z
LAST-MODIFIED:20260330T200203Z
UID:10000153-1793192400-1793203200@www.dfac.org
SUMMARY:PT479 Painting the Portrait or Still Life With Markissia Touliatos
DESCRIPTION:Wednesdays\, 6 Week ClassIntermediate\, Advanced \n\n\n\n\n\nIn this intermediate class you will explore several different approaches to perfecting your painting skills in portraiture and still life using pastel\, charcoal or oils. You’ll learn how to create beautifully accurate portraits from photographs. Students may also opt to paint from a still-life of various objects and learn how to paint flowers and shiny surfaces like brass and silver. We will focus on color mixing\, tonal values\, edges\, and accurate drawing.  \n\n\n\nAges 17 and up. \n\n\n\nClick Here for Supply List\nMATERIALS LIST FOR OIL \n\n\n\nColors: Burnt Umber\, Burnt Sienna\, Raw Umber\, Brown Madder\, Raw Sienna\, Yellow Ochre\, Cad. Red Deep\, Indian Yellow\, Cad. Yellow\, Cad. Orange\, Cad. Yellow Pale\, Naples Yellow Light\, Cad. Red Light\, Light Red or Terra Rosa\, Cad. Scarlet\, Permanent Rose\, Cad. Green\, Cad. Yellow light\, Viridian\, Utramarine Blue\, Dioxazine Purple\, Cerulean Blue\, Manganese Blue\, Black\, Titanium White. (Gamblin\, Winsor Newton\, or Old Holland brands) \n\n\n\nMediums: Gamblin Neo Megilp\, Turpenoid\, Odorless Mineral Spirits\, (artist grade for cleaning brushes) \n\n\n\nBrushes: Filberts\, # 2\, 4\, 6\, Flats\, # 4\, 6\, 8\, Fan Brushes # 4\, 6\, Sable- cat tongue #6\, #8. \n\n\n\nCanvas: Portrait Class: 12×16 or 16×20. Still-life Class: 8×10\, 11×14\, or 12×16. \n\n\n\nTo tone the canvas you may use Golden Acrylic N5 Neutral Grey. Apply a thin wash on acrylic primed canvas only. \n\n\n\nFor the Pastel Students: Canson Mi-Teintes pastel paper in Steel grey\, Felt grey\, Sand or Moonstone. (Optional) Wallis grey tone sanded pastel paper in 12 x18 inch pads.Any soft pastels you already have. Portrait sets\, some good ones that are affordable are: Faber Castell soft pastel sets\, Prismacolor Nupastel semi-soft portrait assortment\, Prismacolor soft pastel portrait assortment (optional)\, Rembrandt soft pastel portrait sets (optional).Pastel pencils for details especially brown tones for sketching\, Blending stumps\, Kneaded eraser\, Ruler\, Utility knife for sharpening pencils\, Small hand mirror for checking your work\, Small chamois for blending or erasing\, Drawing board\, Masking tape\, An 8 x 10 reference photo of your choice preferably not taken with a flash. Paper towels. \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt479-painting-the-portrait-or-still-life-with-markissia-touliatos-3/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/jpeg:https://www.dfac.org/wp-content/uploads/2025/06/PT479-Painting-the-Portrait-or-Still-Life.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261029T130000
DTEND;TZID=America/New_York:20261029T160000
DTSTAMP:20260404T093407
CREATED:20250606T184432Z
LAST-MODIFIED:20260330T195851Z
UID:10000156-1793278800-1793289600@www.dfac.org
SUMMARY:PT484 Color\, Light\, and Form with Anders Fernbach
DESCRIPTION:Thursdays\, 6 Week CourseAll levels welcome! \n\n\n\n\n\nIn this course\, students will learn the language of color in an easy to understand\, objective format. This will greatly aid in their ability to describe and mix any color\, and to maintain control of their palette. In short\, we’ll be discussing practical color theory for painters that can be used in everyday painting scenarios. We will also cover “light logic”\, or the effect that light has in revealing form of any kind. Subject matter is open to the individual student\, as portraiture\, still life\, and landscape all use the principles covered in this course. For practical purposes\, students will work from hard copy photographs or screen images from a laptop or iPad during class hours. \n\n\n\nClick Here for Supply List\nThis list is the minimum\, more colors can be collected over time. Most brands have “artist quality” paints\, and “student grade” versions. Get the artist quality if you’re able\, but student grade will suffice in the short term. Student grade paints have more fillers\, where artist grade is mostly pigment and linseed oil. \n\n\n\nExamples:Gamblin artist paints 1980 is their student grade lineWindsor & Newton artist paints Winton is their student grade line \n\n\n\nOil PaintsTitanium white 150mlFlake white (optional)Ivory black 37mlUltramarine blue 37 mlPthalo blue 37mlTransparent Red Iron Oxide\, or Transparent Earth Red (PR101)Cadmium red light 37mlPermanent or Alizarin crimson 37mlCadmium yellow light 37mlCadmium yellow medium 37mlYellow ochre 37 mlRaw umber 37mlCadmium Orange (single pigment preferred) 37 mlSap green 37mlTere Vert 37 ml (optional)MediumSmall container of linseed oilContainer of odorless mineral spirits (Gamsol 16.9 oz or larger) and air-tight jarRecommended optional-Alkyd medium like Galkyd or Liquin for faster drying timeand more transparency \n\n\n\nBrushesYou will need a variety of sizes to begin with. I recommend coming to class with 3 sizes of round brushes. We can discuss brushes more during class\, and you can decide for yourself what you prefer. Like paint tubes\, it takes time to build a collection of brushes\, and there is no need to try to get them all at one time. \n\n\n\nSurfaces18×24 inch illustration board if you wish to complete a color wheel and chartscanvas or gessoed panel (your choice of size\, but larger is often less difficult) Irecommend 16×20 to begin withYou will need more surfaces as the weeks progress\, but this will suffice to start. Depending upon your images\, you may opt for a different size or proportions. \n\n\n\nOtherPalette knife (diamond shape head preferred)Sketchbook\, or notepad for note taking\, and storing hand-outs18” metal rulerJack Richeson grey paper palette pad 12×16A stiff surface like foam board to tape palette paper to during useGesso (acrylic polymer ground) if you wish to prepare surfaces like wood\, paper\,or to add stability to commercially pre-gessoed canvasPaper towels\, or blue shop ragsCotton cloth rags. Old T-shirts work very well \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt484-color-light-and-form-with-anders-fernbach-3/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/jpeg:https://www.dfac.org/wp-content/uploads/2025/06/PT484-Color-Light-and-Form.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261030T130000
DTEND;TZID=America/New_York:20261030T160000
DTSTAMP:20260404T093407
CREATED:20260331T154129Z
LAST-MODIFIED:20260331T154131Z
UID:10000674-1793365200-1793376000@www.dfac.org
SUMMARY:PT489 Painting the Clothed Figure with Markissia Touliatos
DESCRIPTION:Fridays\, 6 Week ClassAll levels welcome! \n\n\n\n\n\nIn this six week course\, students will learn the technique of painting a clothed human figure from a Photographic reference. Using a grid\, you will draw the image on a canvas while mapping out the shadow and light patterns. Emphasis will be placed on proportion\, gesture\, fabric\, folds\, and how clothing describes the form beneath. Also\, we will focus on color mixing and creating realistic skin tones. You will learn how to transfer an image to a large canvas of any size by using a simple accurate grid. The instructor will provide the photographs already gridded and conduct step-by-step demonstrations along with lots of individual instruction on how to proceed. This class is suitable for all skill levels. \n\n\n\nClick Here for Supply List\nOil paint basic set\, Gamsol mineral spirits\, Grey Matters Disposable pallet\, paper towels\, 18 inch ruler or tape measure. Pastel or charcoal pencil\, hog bristle brushes\, #4 #6 #8 and various sizes of synthetic brushes. Canvas 16 x 20\, 18 x 24 or 24 x 36. \n\n\n\n \n\n\n\n\n \n\n\n\n\nRegister\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDetails\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDate & Time: \n\n\n\n\n\n\n\n\n\n\n\nInstructor
URL:https://www.dfac.org/class/pt489-painting-the-clothed-figure-with-markissia-touliatos-4/
CATEGORIES:Adult Classes
ATTACH;FMTTYPE=image/jpeg:https://www.dfac.org/wp-content/uploads/2015/03/Markissia_Touliatos-Portrait_of_Ana-scaled-e1774966944564.jpg
END:VEVENT
END:VCALENDAR